Rating: 4.5/5

In The Penguin, Colin Farrell takes on the role of Oswald Cobb, a character living with a disability who is also a crime boss/supervillain. Initially, I was hesitant about having an able-bodied actor portray this kind of role, knowing the potential for misrepresentation. However, it could easily take a wrong turn by playing up any deformities to make Cobb seem monstrous, but so far, the show has steered clear of that. His portrayal, complete with subtle gestures and expressions, shows that he understands the complexities of living with a disability. It’s enough that I’m willing to overlook my initial concerns—at least for now.

One aspect of the show that stands out is its depiction of the challenges faced by people with disabilities. Cobb’s refusal to use the accessible subway seats is a small but powerful moment. Vic’s look to Oswald when he sees Oswald subtly refuse to use the handicapped seating was also impactful for me, as it showed that while Vic had some understanding of what Oswald is going through (Vic appears to have a speech impediment), it was still strange for him to see someone with a disability try to prove to the world he doesn’t need their help. Moments like these show the depth behind Farrell’s performance and how the writers are willing to explore the emotional aspects of living with a disability without making it a focal point that overwhelms the character.

I’m cautiously optimistic as the series continues. I hope it maintains this thoughtful approach and doesn’t fall into the trap of using disability as a one-dimensional plot device. The show has done well so far, and especially as someone who uses a brace similar to Cobb’s in the show, I highly recommend it to anyone who liked The Batman or anyone with a disability who has been made to feel like an ‘other.’